Writing Villains Who Believe They’re Right (And Sometimes Are)
One of the fastest ways to weaken a story is to create a villain who exists only to be hated. The mustache-twirling antagonist who hurts people simply because they are “evil” m
The Craft of Screenwriting: Four-Act Structure (Why Act Two Is Really Two Acts)
The Craft of Screenwriting Series Few concepts in screenwriting are discussed more often—and misunderstood more frequently—than three-act structure. Writers hear the phrase so
The Craft of Writing : The Midpoint Problem- Why Most Stories Lose Momentum
Most stories do not fail at the beginning. Writers usually know how to start strong because beginnings are exciting. They understand the importance of a compelling opening image, a
